Magnifying glass clutched in his fist, Jordan Mang-osan uses nothing but focused rays of sunlight to
burn detailed drawings onto panels of wood.
A native Igorot from the Cordilleras of the Philippines, the artist
draws inspiration for both his imagery and his unusual techniques from
his heritage, using indigenous materials.
Other than a pencil used to draw on his initial designs, a magnifying
glass is his only tool, and no paints or inks are required. Mang-osan
holds the glass steady to burn one tiny detail at a time onto the wood.
It takes several months to complete a single work, slowly moving the
glass just millimeters at a time in a technique that’s similar to
pointillism. It’s another unusual way to harness the power of fire to
make art – see
14 more pyro-centric sculptures and installations including ‘fire sculptures,’ portraits drawn in soot, and graffiti set ablaze.
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